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Polka

๐ŸŽค Yves Klein Blue ๐ŸŽต Key: C
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-----------Polka----Yves Klein Blue----------- tabbed by borck borck (ja_._@hotmail.com) This is only the chords that michael plays. during the verse the Dbm chord is best played as it is during the intro note the [] symbolise measures/bars. i would play the normal F# like this e-2 B-2 G-2 D-4 A-4 e-2 and the F#(2) like this e- B-11 G-11 D-11 A-9 e- the normal E should be played like this e- B-9 G-9 D-9 A-7 e- the E(2) like this e-0 B-0 G-1 D-2 A-2 e-0 intro e-----------------------------------------| B---5---5----5---5-----5----5-------------| G---6---6----6---6-----6----6-------------| D---6---6----6---6-----6----6-------------| A-4--------4---------4---------4-------3--| E-----4--------4----------4-------4--6----| Verse Dbm Brother hold your head this way Ab And bustle to the front of the line e Ab Coz if they catch your eyes before you get inside, Dbm Well you'll never be allowed Dbm People got a name for us e Ab Coz we escape the strain of the days F# A Oh we stretch in the side and bend in the middle, Dbm But we never ever break Dbm Dbm/Ab A e But if you feel that way now Dbm Dbm/Ab A F# Or if you feel so inclined Dbm F#(2) e A Ab Skip past the doors of boring forty-somethings and rise Dbm Dbm/Ab A e Oh and if you wanna lose your frown Dbm Dbm/Ab A F# Or your name or even your face Dbm F#(2) e A Ab Dbm Lick up a dream that seemingly sings with whistling neon breath It goes thru the same few chord progressions again then to the chorus which is instrumental Chorus ABEAA repeat. Then back into the verse After second chorus ADAA t minor) Ohhhhhhhhhhhh.... F#m B e A All your spirits gone, and you are barley alive. D Ab Dbm You hand me a smoke, though it?s like you hardly notice F#m B And it?s sad I suppose e A When I look into your eyes you say D Ab D Ab It seems to go this way, no matter what?s at stake, D Ab Dbm Oh it seems to go this way with everything I start guitar solo the chord progression is the same as in the verse, soloing in the Dbm scale tends to sound pretty good Dbm Dbm/Ab A e Oh so if you feel that way now Dbm Dbm/Ab A F# Or if you ever feel so inclined Dbm F#(2) e A Ab Skip past the doors of boring forty-somethings and rise Dbm Dbm/Ab A e But if you want to lose your frown Dbm Dbm/Ab A F# Or your name or even your face Dbm F#(2) e A Ab Dbm Lick up a dream that seemingly sings with rushing neon breath
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