Standard tuning with a capo on 2, and all chords here are ignoring the capo During the verses he sometimes alternates between playing with just the top 3 strings in an F* chord, and the D, G, and B strings in a C chord. This isn't exactly the picking pattern he uses each time, but this is the "bones" of it. Intro: FCaj7 e-----0-------0--3p0-----------------------| B----1-------1------1---3-1-----1---3-1----| G---2-------2----------0----0-----0----0---| x2 D--3-------3----------2------2---2------2--| A-----------------------------3-------3----| E------------------------------------------| Fmaj7 Always thought I was a novelty little creature C Nobody warns you that the death of hope won't feature Fmaj7 C any sort of big event to mark its significance Fmaj7 After we finish ourselves off we ain't leavin' C G Scared to go down with an old friend, believe me F C G F You better bet we're gonna tie one on tonight C G F You never left even though you'd said that you might C G F I come back to remember what it was like C G F C G F Only Dostoyevsky would dream up a pair like us Intro (x2) Fmaj7 Thick skinned, hot headed C Better off if you close every valve to your bleedin' heart Fmaj7 Does it hurt too much? Are you just fed up? C Fmaj7 Or is it somethin' else entirely? C G F When I ask you "Why?" you reply the death of hope hits you hard, too F C G F You better bet we're gonna tie one on tonight C G F You never left even though you'd said that you might C G F I come back to remember what it was like C G F C Em Am Only Dostoyevsky could kill off a pair like us EAECECm F C G F You better bet we're gonna drown every doubt C G F Half of us has got the other half figured out C G F No good deed goes unpunished around here FCaj7 Fmaj7 C G F You better bet we're gonna tie one on tonight C G F You never left even though you'd said that you might C G Fmaj7 I come back to remember what we were like