Kill Your Mother, Rape Your Dog
KILL YOUR MOTHER, RAPE YOUR DOG
As recorded by Dying Fetus
(From the 1998 Album KILLING ON ADRENALINE)
Words by Jason Netherton
Music by John Gallagher
Arranged by Dying Fetus
Transcribed by Ethereal Sin
I was looking at the other version of this tab that on here, and it just looked pretty
bad. So I decided to tab out the song myself. So here it is.
C#5 D5 Eb5 F5
0 2 2 x x x 1 3 3 x x x 2 4 4 x x x 4 6 6 x x x
G5
6 8 8 x x x
Gtr I (C# F# B E G# C#) - 'Guitar 1'
Gtr II (C# F# B E G# C#) - 'Guitar 2'
Intro Verse 1
Q=160
BFF#E5
4/4
Gtrs I, II
PM------------| PM| PM| PM| PM|
E E S E S E E E E E E E E E E E E E E E E E E E E
|-------------------|-----------------|-----------------|
|-------------------|-----------------|-----------------|
|-------------------|-----------------|-----------------|
|-------------------|-9S2-----4S2-----|-9S2-----4S2-----|
|-------------------|-9S2-----4S2-----|-9S2-----4S2-----|
|-0-1-1-1-1-0-1-0---|-7S0-0-0-2S0-0-0-|-7S0-0-0-2S0-0-0-|
S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S
|---------------------------------|----------------------------------|
|---------------------------------|----------------------------------|
|---------------------------------|----------------------------------|
|---------------------------------|----------------------------------|
|-4-4-1-1-----1-1-4-4-1-1-----1-1-|-4-4-1-1-----1-1-4-4-1-1-----1-1--|
|---------4-4-------------4-4-----|---------4-4-------------4-4------|
PM--| PM--| PM--| PM--|
EEEEEEEEEEEEEEEE
|---------------------|---------------------|
|---------------------|---------------------|
|---------------------|---------------------|
|---------------------|---------------------|
2 3
|------------------|------------------|
2 3
|-----0-0-0--0-0-0-|-----0-0-0--0-0-0-|
C#
S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S
|---------------------------------|----------------------------------|
|---------------------------------|----------------------------------|
|---------------------------------|----------------------------------|
|---------------------------------|----------------------------------|
|-4-4-1-1-----1-1-4-4-1-1-----1-1-|-4-4-1-1-----1-1-4-4-1-1-----1-1--|
|---------4-4-------------4-4-----|---------4-4-------------4-4------|
Interlude 1
Q=150
F#F5 F#F5 F#F5 F#F5
PM| PM| PM| PM|
EEEEEEEEEEEEEEEE
||------------------|-----------------|
||o-----------------|-----------------|
||------------------|-----------------|
||--4S3-----4S3-----|-4S3-----4S3-----|
||o-4S3-----4S3-----|-4S3-----4S3-----|
||--2S1-1-1-2S1-1-1-|-2S1-1-1-2S1-1-1-|
S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S
|---------------------------------|-----------------------------------||
|---------------------------------|----------------------------------o||
|---------------------------------|-----------------------------------||
|---------------------------------|-----------------------------------||
|-4-4-1-1-----1-1-4-4-1-1-----1-1-|-4-4-1-1-----1-1-4-4-1-1-----1-1--o||
|---------4-4-------------4-4-----|---------4-4-------------4-4-------||
FF#55 FF#F#F#55F#5
PM| PM|
Q Q E E E E E E E E E E E E
||----------------|-----------------|
||o---------------|-----------------|
||----------------|-----------------|
||--4--7--4-----4-|-4-4-7-7-4-----4-|
||o-4--7--4-----4-|-4-4-7-7-4-----4-|
||--2--5--2-0-0-2-|-2-2-5-5-2-0-0-2-|
FAF#5Eb5 CEEE5G
PM--| PM
|----3-----| |----3-----|
+Q Q E E E E S S S Q. S S S Q E
|-----------------|--()-()-------()-()-------||
|-----------------|--------()-------------()------o||
|-----------------|--------------------------------------||
|-(4)--7--4-------|-----------------2--------------------2-----||
|-(4)--7--4-------|-----------------2--------------------2----o||
|-(2)--5--2-0-0-0-|-----------------0--------------------0--0--||
FF#55 FF#F#F#55F#5
PM| PM|
Q Q E E E E E E E E E E E E
|---------------|-----------------|
|---------------|-----------------|
|---------------|-----------------|
|-4--7--4-----4-|-4-4-7-7-4-----4-|
|-4--7--4-----4-|-4-4-7-7-4-----4-|
|-2--5--2-0-0-2-|-2-2-5-5-2-0-0-2-|
FAF#5Eb5 CEEE5G
PM--| PM
|----3-----| |----3-----|
+Q Q E E E E S S S Q. S S S Q E
|-----------------|--()-()-------()-()------|
|-----------------|--------()-------------()------|
|-----------------|-------------------------------------|
|-(4)--7--4-------|-----------------2--------------------2----|
|-(4)--7--4-------|-----------------2--------------------2----|
|-(2)--5--2-0-0-0-|-----------------0--------------------0--0-|
Q=140
FF#55 FF#F#F#55F#5
PM| PM|
Q Q E E E E E E E E E E E E
||----------------|-----------------|
||o---------------|-----------------|
||----------------|-----------------|
||--4--7--4-----4-|-4-4-7-7-4-----4-|
||o-4--7--4-----4-|-4-4-7-7-4-----4-|
||--2--5--2-0-0-2-|-2-2-5-5-2-0-0-2-|
FAF#5Eb5 CEEC#C#5
PM--| PM
|----3-----| |----3-----|
+Q Q E E E E S S S Q. S S S Q E
|-----------------|--()-()-------()-()--------||
|-----------------|--------()-------------()-------o||
|-----------------|---------------------------------------||
|-(4)--7--4-------|-----------------2--------------------2------||
|-(4)--7--4-------|-----------------2--------------------2-----o||
|-(2)--5--2-0-0-0-|-----------------0--------------------0--0---||
Interlude 2 Verse 2
Q=160
BFF#E5
4/4
PM------------| PM| PM| PM| PM|
E E S E S E E E E E E E E E E E E E E E E E E E E
|-------------------|-----------------|-----------------|
|-------------------|-----------------|-----------------|
|-------------------|-----------------|-----------------|
|-------------------|-9S2-----4S2-----|-9S2-----4S2-----|
|-------------------|-9S2-----4S2-----|-9S2-----4S2-----|
|-0-1-1-1-1-0-1-0---|-7S0-0-0-2S0-0-0-|-7S0-0-0-2S0-0-0-|
S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S S
|---------------------------------|----------------------------------|
|---------------------------------|----------------------------------|
|---------------------------------|----------------------------------|
|---------------------------------|----------------------------------|
|-4-4-1-1-----1-1-4-4-1-1-----1-1-|-4-4-1-1-----1-1-4-4-1-1-----1-1--|
|---------4-4-------------4-4-----|---------4-4-------------4-4------|
PM--| PM--| PM--| PM--|
EEEEEEEEEEEEEEEE
|---------------------|---------------------|
|---------------------|---------------------|
|---------------------|---------------------|
|---------------------|---------------------|
2 3
|------------------|------------------|
2 3
|-----0-0-0--0-0-0-|-----0-0-0--0-0-0-|
S S S S S S S S S S S S S S S S
|---------------------------------|
|---------------------------------|
|---------------------------------|
|---------------------------------|
|-4-4-1-1-----1-1-4-4-1-1-----1-1-|
|---------4-4-------------4-4-----|
Outro
PM------------|
S S S S S S S S S S S S S S S S E E S E S E E E E
|---------------------------------|---------------------*|
|---------------------------------|---------------------*|
|---------------------------------|---------------------*|
|---------------------------------|---------------------*|
|-4-4-1-1-----1-1-4-4-1-1-----1-1-|---------------------*|
|---------4-4-------------4-4-----|-0-1-1-1-1-0-1-0-----*|
Duration Legend
---------------
W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X - 64th; a - acciaccatura
+ - note tied to previous; . - note dotted; .. - note double dotted
Uncapitalized letters represent notes that are staccato (1/2 duration)
Irregular groupings are notated above the duration line
Duration letters will always appear directly above the note/fret number it represents the
duration for. Duration letters with no fret number below them represent rests. Multi-
bar rests are notated in the form Wxn, where n is the number of bars to rest for. Low
melody durations appear below the staff
Tablature Legend
----------------
h - hammer-on
p - pull-off
b - bend
pb - pre-bend
r - bend release (if no number after the r, then release immediately)
/\ - slide into or out of (from/to "nowhere")
s - legato slide
S - shift slide
- natural harmonic
n
- artificial harmonic
n(n) - tapped harmonic
~ - vibrato
tr - trill
T - tap
TP - trem. picking
PM - palm muting
\n/ - tremolo bar dip; n = amount to dip
\n - tremolo bar down
n/ - tremolo bar up
/n\ - tremolo bar inverted dip
= - hold bend; also acts as connecting device for hammers/pulls
- volume swell (louder/softer)
x - on rhythm slash represents muted slash
o - on rhythm slash represents single note slash
Misc Legend
-----------
| - bar
|| - double bar
||o - repeat start
o|| - repeat end
*| - double bar (ending)
: - bar (freetime)
$ - Segno
& - Coda
Tempo markers - = BPM(8/16=s8/s16), where s8 = swing 8ths, s16 = swing 16ths